🍒 SSL G-Series Stereo Bus Compressor for Series

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Two audio engineers have written this guide for anyone looking to add a new compressor to their series module collection.


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The new Stereo Compressor combines the unmistakable sound of API's compression technology with the convenience and popularity of the API Series.


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Key Features: Compact Series premium compressor/limiter with dynamic presence control; Fully variable dynamic presence feature preserves high.


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Two audio engineers have written this guide for anyone looking to add a new compressor to their series module collection.


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Neve 2264ALB 500-series mono limiter/compressor walkthrough

And as our users report, the Essence is brilliant on bass guitar! It is a really good comp, it definitely has a different vibe than the SOC It reacts to the signal in the same way but is more colored tone wise, input and output transformers being the reason. This unit is designed to boost the output of an audio amplifier and provides very high drive current capability. The Essence is the only series compressor that we know of to feature a side chain insert point so you can apply equalisation to the compression characteristic to control certain parts of the audio spectrum. The light block is driven differentially so that two LDRs control the positive audio peaks and the other two control the negative. MON - allows you to hear the side chain signal the side chain eq and the side chain insert return signal. I also liked the solid feel of the switches and knobs, along with the large VU meter that always indicates level and gain reduction, even in bypass. The audio input is coupled directly to our custom made LDR light dependant resistor gain reduction element via a Lundahl LL input transformer. RATIO - 4 position switch sets the depth of compression from light to heavy, , , , all with the soft knee action. Works on everything, great for tracking bass and vox I found. No compressor is transparent, but when I selected proper attack and release times, there were no noticeable bad-sounding artifacts. Essence packs a lot of easy-to-control power into just two API slot spaces. My first tests were on individual drum tracks recorded flat into Pro Tools. The circuit was originally designed to amplify the very low level output of moving coil pickup cartridges so it sports a very low noise floor. Using a ratio, 70ms attack and ms release, the ultraclean opto sound kept the Fender P bass sounding full and natural. Unlike the traditional opamp, the BE40 exhibits a very wide frequency response and ultra fast slew rate - even at high gains. The SOC is more of a classic smoothing device whereas the Essence is a little more forward and snappier, on percussion elements especially. Electric guitars sounded good when compressed by the Essence. And unlike the slow LA designs, this compressor can also respond much faster when you need it. At 1 ms with a ratio and the drive control set halfway or higher, the snare hit's "stick" portion was completely removed. The high- and lowpass sidechain filters have a "B" boost position and a "C" cut position. A versatile mono compressor for series frames that takes optical compression to the next level for all forms of music production. The soft knee opto action is perfect for smoothing the dynamics of vocals and a stereo pair will find immediate use to glue together stems, synths and the mix buss. LINK - using the frame link system, two Essences can be linked for stereo operation. Essence went to work as soon as I plugged it into the studio's API rack.

You may know the sound of vintage optical compressors like the Teletronix LA2A, but often you need more control than just 2 knobs. Indulge yourself in it's smooth and creamy sound!

Between the drive control setting and the excellent range of release times, you can dial in as much drum ring out as you want. I used the , or ms positions, depending on tempo and whether the drummer played grace notes or fills between back beats. Plus, the powerful output stage has a self adjusting bias arrangement for excellent reliability. Buzz Audio's Essence is a single-channel optical compressor module with many custom features usually found on larger, rack mounted compressors. I used the "C" position on the sidechain's LPF to lessen the amount of compression caused by intermittent plosives and the subsonic low frequencies from my male singer. Specifications are typical of a production unit and are subject to change without notice. Another series winner! Other series modules - Elixir mic preamp Tonic inductor equalizer. I'm not generally into "auto" positions, but the auto-release time position worked fabulously on a funky rhythm guitar track. There are two versions of the BE40, one optimized for low level signals such as microphone inputs and the other for higher line level signals. More bass than the SOC also more punch in some ways, just a tad more aggressive in tone. The combination of high end Lundahl transformers with our circuits creates a very warm low end sound along with a creamy top end finish void of midrange harshness. Essence's operational precision is evident by the complete set of clearly marked front panel control knobs, including drive threshold , ratio, output gain, attack and release. The densely packed front panel has a large segment LED VU meter, seven toggle switches and five human-sized control knobs that are larger and feel better than the typical knobs used on API modules. The insert can also be used to "key" the compressor from another sound for all sorts of creative pumping effects. At first, I had two immediate impressions: It is very clean-sounding and extremely fast for an opto-based compressor. For bass guitars, I switched to the "B" mode in the sidechain's lowpass filter to make the unit more sensitive to low frequencies. On vocals, cleanliness is important, especially if you use a lot of compression. It went right in with no problems; you will have to secure it with screws so that the rear-edge connectors stay firmly seated. For critical stereo operation we recommend you order a factory matched pair. With the attack time set to 15 ms, there is very little dulling, even under about 6 dB of gain reduction. Also good on drum groups, kick and snare, and for the bucks honestly you can't go wrong. LO EQ - applies 8dB at Hz of boost or cut to the side chain signal and therefore to the compression. The result was increased precision: You can fine-tune essence to exactly meet the needs of a bass guitar. This setup produced a dense guitar sound without sounding overly clamped. Essence has a 1ms attack time that was actually too fast! On guitars, primarily a midrange instrument, I used the "C" positions on both the low and high sidechain filters to narrow the frequency bandwidth available to Essence's opto element. HI EQ - applies 8dB at 10kHz of boost or cut to the side chain signal and therefore to the compression. Essence's sound sparkles even using a ratio and 10 dB or more of gain reduction. The 15ms attack position was more realistic-sounding, producing a nice "pop" with each strike on the drum. In addition, there is on board side chain shelving eq allowing you to quickly adjust the compressor sensitivity at high and low frequencies. DRIVE - sets the amount of compression applied to the signal, clockwise rotation means more compression. Essence pulls a total of mA — 60 mA for each slot — which is well within spec for modern API racks. Normally, I would not use an opto compressor on percussion because usually the attack times if they are available are too slow.